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I went to the National Palace Museum twice in this January.

When I went there for the first time, I was surprised by the size of the museum and the huge number of collections.

Thats why I got tired just looking around.

The second time, Mr. Chu, a professor of  the National Tainan University of Art took me to the museum. I mainly appreciated ceramics and jades and I bought some picture books that I wanted.  

Thank you so much, Chu Ï·»Õ!!

 

 

The museum has a rich collection of jade.

I am interested in the jade disc called Bi Disc among all the jade items.

As the time passed, the circle shape was getting more accurate and the thinness was getting thinner. There were also more decorations on the surface.

Jade was the material for kings and powerful persons, each piece has a condensed aesthetic sense. Even in the view of today, they still looks surprisingly fine and beautiful.

I was especially interested in Heaven, earth and ManThree links jade in Ming dynasty.

The commentary of the museum said that the inner circle represented Heaven, the middle one was “Human beings, and the outer was “Earth.

It gave me an impression that I could see a piece of fine art created with well-considered concepts.

I will learn from the aesthetics and the philosophy behind the art piece and I hope that I could engage all my art sense and techniques to make works during my stay residence in Yingge.  

 

 

 

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Thank you so much for joining our Observation meeting of Slime Molds and Cordyceps the day before.

It hasnt rained these days, and the forest was dried up.  

When we were going to the forest, I expected that we wouldn't find many species.

But contrary to my expectations, we could see a lot of Slime Molds.

Even the surface of the ground and bark looked dry, once a leaf was flipped over, we could see the moisture has been kept.

Since it is the summer vacation, a lot of kids joined our program.

They peered under fallen trees, searched on the surface of trees, even the backside of fallen leaves.

 Thanks for that, we saw many kinds of Slime Mold.

 

 

This time we found some Slime Molds as listed below:

 

¡¦¥Þ¥á¥Û¥³¥ê  Lycogala epidendrum

¡¦¥·¥í¥¦¥Ä¥Ü¥Û¥³¥ê  Arcyria cinerea

¡¦¥­¥¦¥Ä¥Ü¥Û¥³¥ê  Arcyria obvelata

¡¦¥Û¥½¥¨¥Î¥Ì¥«¥Û¥³¥ê  Hemitrichia calyculata

¡¦¥·¥í¥¹¥¹¥Û¥³¥ê¡¡Fuligo septica f. candida

¡¦¥à¥é¥µ¥­¥Û¥³¥ê  Stemonitis axifera

¡¦¥ª¥ª¥à¥é¥µ¥­¥Û¥³¥ê  Stemonitis splendens

¡¦¥¨¥À¥Ê¥·¥Ä¥Î¥Û¥³¥ê¡¡Ceratiomyxa fruticulosa var. descendens

 

 

 

 

 

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Ive always been interested in tea ceremony and have made some tea wares, but Ive never get started of any lesson.  Long time ago, I decided to take Starting tea ceremony lessonsas my goal of the year. Then a few months passed.

My friend who has taken tea ceremony lessons for long time, introduced a tea master to me.

Ms. Matsumoto, who is a tea master of the Omote senke school, is very kind and polite as a teacher. She always repeats the instructions to me again and again with great patience.

I just start the lessons from May, that provides me some very refreshing moments and I would keep practicing.

Id like to practice the basics acts little by little even it takes much time to progress, as well as learning the proper manners of tea ceremony. I hope that I could find out my own way of practise that reflects my style someday.

 

 

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https://yakimono.mystrikingly.com/  Tableware

https://www.naokikato.com/¡¡Sculputures

 

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I will participate in an exhibition named Exhibition in the Forest, which used to take place at the Wachi forest in Kyoto after a pause of a few years.  

 

The outdoor exhibition will be following the Art Exhibition in Sogenji Temple that just finished a few days ago. Depending on the different location, the installation and set up are also different.

I wonder if I can display a piece with the help of spider webs, that I was not able to do at Sogenji. The Wachi forest is deeper than the yard of Sogenji, but its not the season of spiders yet.

I will not only display my works but also planning to demonstrate how to make a piece this time. First, I will walk around the forest to find a good space.

Im looking forward to the show in the forest and in the rain ( as told by the the weather forecast). Cant wait to see what can I make in the forest.

 

 

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I have been doing silver foil test these days.

My friend Maruyama-san is an artist who makes accessories decorated with metal foil.  

I messaged her that I would like her to teach me the technique of foil decoration.

Then she showed me how to handle thin metal foils a month ago.

 

The foils are so thin that they flutter in breeze, and they crumples when static electricity is present.

Once it crumpled, it would never get back to its original form. If you handle them with too much force, it breaks into pieces.

Metal foils are such a kind of material that is so difficult to handle, but I am attracted by it.

Because I know that they are used on traditional folding screen (Byo-bu) and Japanese painting as the background.

The background is only consisted of square shape gold and silver foils.

However, the regularly lined up foils create some slight shadows that gives a natural sense of depth and shows the interesting texture of the material itself.

So I wondered whether its possible to use them as a part of my work.

 

First, I bought some silver foils and bamboo tweezers from an online shop which Maruyama-san told me.

A bamboo tweezers does not carry static electricity easily and its a necessity to handle metal foils she said.

Then I fired my trial works with my electric kiln. I put silver foils on my ceramic plates in her atelier.

The result is here.

 

 

 

The plate on top is fired with silver, the bottom is the original one.

Observing the change carefully, you might notice the difference. But I can say there is no significant difference between them.

Where is that silver foil on it ?

 

After that, I tried to fire plates covered with double and triple layer of foils.

The result was the same.

Even triple foils made no change to the plate.

I came up with two reasons :

1. The foils are so light, they were blew away when firing.

2. They burned out under high temperature.

Both two are likely to have happened. It seems necessary to continue the tests.    

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£Ã£Ã£Ã£Ó£Ã£ÄŹƬ¤ä¥ª¥ó¥é¥¤¥ó¥·¥ç¥Ã¥×¤Ç¤¼¤Ò¤¼¤Ò¸«¤Æ¤ä¤Ã¤Æ¤¯¤À¤µ¤¤¡£

¤è¤í¤·¤¯¤ª´ê¤¤¤·¤Þ¤¹¡£https://csonline.cifaka.jp/

 

²Ãƣľ¼ù¤Î¥Û¡¼¥à¥Ú¡¼¥¸¤â¹¹¿·¤·¤Æ¤¤¤Þ¤¹

https://yakimono.mystrikingly.com/

 

 

I made an original chopstick rest in collaboration with Okamoto san who works in cifaka Design Inc.

I think it took me about a year to start the project.

At the beginning, Chopstick restwas just a vague idea suggested by Okamato san.

Im familiar with chopstick rests because I often use them and I had also assigned it as a subject to the students of grade 2 and 3 in Chugoku Design College.  

When I started to think about the design, a form of water which had been on my mind for a long time came up.

It could also be called the form of  a droplet.

 

It was right around the time that two students from the Chugoku Design College came to my studio for an internship program.

We then started to make sketch based on the form of waterwith clay.   

I only told them that Id like to apply clear glaze to make the surface glossy.

but in about a half day, we made various forms of water.

After that, we chose some of the forms and re-designed them.

I brought some trial pieces to Okamoto san.

We talked about the color, and decided to make more pieces of different colors.

It was fun to talk about the pricing and the colors with Okamoto san.

 

As I started the mass production, I realized that it is difficult to make such kind of small pieces and to color them.

But I think the form, color and texture are much better than what I imagined at the beginning.

I failed at the silver glazed pieces on the other day, so I cant say its totally controllable for every color yet.

However, I love them  because I make them one by one by my hands through a long process.  

Take a look at them in actual CCCSCD stores and the online shop.

 

 

 

JUGEM¥Æ¡¼¥Þ¡§¥¢¡¼¥È¡¦¥Ç¥¶¥¤¥ó

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¸Ä¿ÍŪ¤Ë¤Ï¤ª¹á¤Î¹ÖºÂ¤¬µ¤¤Ë¤Ê¤ê¤Þ¤¹¡¢²È¤Ëµ¢¤Ã¤Æ¤«¤é¤â³Ú¤·¤á¤½¤¦¤Ç¡£

¤¼¤Ò¤¼¤Ò²ñ¾ì¤ÇÏ¡¤Ë¤Þ¤Ä¤ï¤ë¤¤¤í¤ó¤Ê¤³¤È¤ò³Ú¤·¤ó¤Ç¤¯¤À¤µ¤¤¡£

 

 

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https://yakimono.mystrikingly.com/

 

 

I will participate in a special exhibition.

It will be held in Fukuoka and the theme is about Lotus.

It was Sen san, a lotus farmer who gave me this opportunity.

We have collaborated before on some projects of other themes, but this time I decided to make flower vases for lotus.

 She requested me to make vases for putting 3 lotus (with the blossom, buds and leafs). I was told about the requirements about the form and outlook then I finished making some special vases in my own way.

 

I was consciously not to make the design very religious.   

Lotus is beautiful and enchanting but it is easily to be connected to a symbol of Buddhism.

Therefore, I took this into consideration : not to make it a typical form like a display on the altar, but to make it a more charming form.

I think Sen san will use it well later.

 

Moreover, I sent some tableware to Nicogusa,.

I talked to Nicogusa san about textures and forms, I think that Im able to made tableware according to her opinion.

I hope that she will enjoy using them for serving meal and desert.

 

There are many events including in this exhibition.

Tea ceremony of Lotus, Dinner party of Lotus, Photo session with Lotus, lecture for using Lotus leaf  to serve the meals, Incense lecture

 

Personally I prefer the Incense lecture, because you can enjoy it even at home.

I hope that you can enjoy this exhibition and the related events at the venue.

 

 

https://yakimono.mystrikingly.com/

 

 

JUGEM¥Æ¡¼¥Þ¡§¥¢¡¼¥È¡¦¥Ç¥¶¥¤¥ó

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